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Volume 34, Number 2, pages 169-182 (2023)
https://doi.org/10.26830/symmetry_2023_2_169
METAPHYSICS OF MUSICAL-HISTORICAL SYSTEMS
Olena Markova1*, Olha Filatova2, Olga Ryzhova3, Mykhaylo Krupey4, Alina Chekhunina5
1 Department of Theoretical and Applied Culturology, Odessa National A.V. Nezhdanova Academy of Music, 65023, 63 Novoselsky Street, Odesa, Ukraine
Email: olenamarkova12@ukr.net
ORCID: 0000-0003-4711-9538
2 Department of Solo Singing, Odessa National A.V. Nezhdanova Academy of Music, 65023, 63 Novoselsky Street, Odesa, Ukraine
Email: olhafilatova21@outlook.com
ORCID: 0000-0002-0433-2411
3 Department of Special Piano, Odessa National A.V. Nezhdanova Academy of Music, 65023, 63 Novoselsky Street, Odesa, Ukraine
Email: olgaryzhova21@proton.me
ORCID: 0000-0001-7925-967x
4 Department of Orchestral Wind and Percussion Instruments, Odessa National A.V. Nezhdanova Academy of Music, 65023, 63 Novoselsky Street, Odesa, Ukraine
Email: mykhaylokrupey@proton.me
ORCID: 0000-0001-9910-8211
5 Department of Musical Art, Kherson State University, 73000, 27 Universitetska Street, Kherson, Ukraine
Email: alinachekhunina@hotmail.com
ORCID: 0000-0002-2492-0448
* corresponding author
Abstract: Simon Stevin (1548-1620) is mainly known for the decimal system and his Clootkrans proof. His influence is also profound in infinitesimal calculus, mechanics, and even in abstract algebra and today’s conception of polynomials, algorithms, and generic programming. Here we review his influence as assessed in generic programming. According to Dr. Stepanov, one of the most influential researchers in generic programming, Stevin’s work on polynomials can be regarded as the essence of generic programming: an algorithm from one domain can be applied in another similar domain.
Keywords: Stevin, algebra, algorithms, generic programming
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